

Artist
during a painting trip in Edgartown, Martha's Vineyard, MA
July
2002
Born:
Somerville, Massachusetts, May 4, 1952
Once you have seen a painting by William R. Davis, you will understand why Mr. Davis has a national reputation as one of the best marine artists presently working in the United States. Mr. Davis grew up in Hyannis Port, Massachusetts. He is a self-taught artist whose oil paintings typically capture the serene light of sunrise or sunset on the water. He employs many of the techniques traditionally used by American luminist painters to realize his personal vision, showing a marked preference for 19th century subjects.
In 1987, Davis made history with the first one artist show ever mounted at the prestigious Mystic Maritime Gallery in Mystic, Connecticut. All twenty of the works featured in that show were sold at the opening reception. In 1990 he received the Mystic Maritime Gallery Award of Excellence and his painting entitled "Calm Day off Latimer's Reef" appeared on the cover of Mystic's The Art of the Sea Calendar in 1993. Three of his paintings were also used in Shipwrecks Around Boston by noted Cape Cod author, William P. Quinn. Rockport Publishers has included Boston Harbor at Sunset in a new book entitled, A Gallery of Marine Art. He has also been included in the latest edition of E.H.H. Archibald's authoritative volume on Marine Art from the Flemish masters to the present.
Much of Davis' early works pays homage to 19th century artists such as James Bard, Martin Johnson Heade, Antonio Jacobsen and Fitz Hugh Lane. He limits himself to about 30 colors in the palette of that period. He describes his style as "A conglomerate of a number of ideas I saw in other artists with my own refinements". Over the years, he has incorporated his fascinations for the different techniques of these artists. This may be best explained in the works of painter, William Merritt Chase, prominently displayed in his studio, "The most original painters are those who have stolen here a little and there a little from everyone. When they arrive a the levels of the masters, they will find they can do so much better work themselves that they can't help being original".
In a tribute to Martin Johnson Heade which appeared in the July 1991 issue of American Artist magazine, Davis refers to sunset as "the hour when night usurps day". He observes that this is the "best time of day for painters to capture the 'inner state' of a landscape" and represents "an unequaled opportunity to sensitize the eye to the delicate mysteries of light and shadow".
In the September 1992 issue of Soundings, former Mystic Maritime Gallery Director, J. Russell Jinishian, described Davis by saying "His work evokes the gentility and natural beauty of the 19th century, a time we look back on with some nostalgia as it was a time less complicated and more civilized".
Although best known for his marine subjects, Davis strives to make his work accessible to those with a variety of tastes while expanding his own horizons as an artist. Following the tremendous popularity of Davis' "Lilacs and Basket", featured on the poster for The Cahoon Museum of American Art 1992 exhibition entitled, "The Flowers of New England", the Nantucket Basket series began. Note cards and limited edition prints are now available.
Davis has shifted in the last few years to painting more landscapes on location. In the process, he has converted to plein air painting, partly influenced by his friendship with artists Joseph McGurl and Donald Demers. During 1998 the three friends painted together in various locations all over New England. The result of their efforts was a show entitled The New American Luminists Revisit the Native Landscape held at Tree's Place in Orleans, Massachusetts.
In April
2001, Wm. Davis' work was illustrated on the cover of American
Artist
Magazine along with an in depth article about his work.
Cape
cod life collector's edition named davis as one of the Top 400
most influential,
famous, and intriguing people on cape cod. Davis was also an invited
panelist
at the national conference on representional painting, sponsored by
american
artist magazine and held in the Summer of 2004.
MEMBERSHIPS:
The
Copley Society of Boston
Fellow Member of the American Society of Marine Artists
Guild of Boston Artist
AWARDS:
1989
Award of Excellence – Mystic Maritime Gallery International Show
1991
Second Place – Copley Society
1999
Award of Excellence – Mystic Maritime Gallery International Show
2004
Hammer
gallery, New York "gallery contemporary artists selected works"
1/12-2/28
The
Admiralty Gallery , Vero Beach, FL "Along the Indian River" 2/09
Vose
Gallery, Boston MA " Realism Now: Traditions & Departures -
Mentors
& Proteges" 5/15-7/17
The
Haggin Museum, Stockton, CA "From Sea To Shining Sea: A Reflection of
America
" 5/09 - 7/03
The
Cahoon museum of american art, cotuit, ma "twilight and starlight" 2/03
- 3/20
the
mystic gallery at mystic seaport, "modern marine masters" 04/24-6/06
christina
gallery, edgartown, ma 7/22 one man show
tree's
place, orleans, ma "Marine & coastal art" 7/24-29
national
conference on representional painting, cape cod, 08/27 & 28
2003
The
Admiralty Gallery, Vero Beach, FL "Indian River & Marine
Paintings"
2/20
Tree's
Place gallery, orleans, ma "The New American Luminists" 3rd
Show 8/30-9/11
The
Maritime Gallery at Mystic Seaport, International marine exhibition
10/4-11/30
2002
Cahoon
Museum, Cotuit, MA "Land of the Free, Home of the Brave" 2/1-3/9,
John
Pence Gallery, San Francisco, "Luminous Landscapes" 2/15-3/16
St
Botolph Club, Boston, MA "Romance of the Sea"
Tree's
Place Gallery, Orleans, MA "Marine Artist Show" Late Aug.
2001
The
Copley Society of Boston "Patron’s Choice" exhibition 3/22-04/14
Christina
Gallery, Edgartown, MA 7/19, (Two Man Show)
Tree’s
Place, Orleans, MA 8/4-8/11,
Tree's
Place 9/2-9/16
The
Haggin Museum, Stockton, CA 10/21-12/30.( Group Show)
2000
John
Pence Gallery, San Francisco, CA
"William
Davis, Donald Demers & Joseph McGurl Paint Northern California"
Tree’s
Place, The New American Luminists, 2nd show
1999
Mystic
Maritime Gallery, 20th Annual International Marine Art
Exhibition
1998
Tree’s Place "The New American Luminists Revisit the Native Landscape
Sharon
Arts Center, New Hampshire, "Seaworthy Ships: Master Marine Artists"
J.
Russell Jinishian Gallery, Inc., CT, "Marine and Sporting Art of Today
and Yesterday"
Big
Horn Galleries "Marine Art of Yesterday & Today"
1997
Sharon
Arts Center, Petersbough, NH "seworthy Ships, Master marine Artists"
J.
Russell Jinishian Gallery, Fairfield, CT "Marine & Sporting Art of
Yesterday"
1996
Big
Horn Gallery "Marine Art of Yesterday and Today"
1995
Big
Horn Galleries "An American Marine Legacy" Group Show
Mystic
Maritime Gallery, International Marine Art Exhibition "Modern Marine
Masters"
Cape Museum of fine art permanent collection
The Donovan Gallery 2004 Making Art - Plein air 05/10 -14
The
Donovan Gallery 2002 Making Art-Selling Art Seminar
Cape Museum of Fine Arts, Inc. Dennis, MA – Tuesdays with the Muse" series - "Ships, Slips & Boats Afloat" April 17, 2001
Museum of Natural History, Brewster, MA
Barnstable Historical Society, "Treasures at the Trayser"
Symposium on Cape Cod Maritime History
Community Foundation of Cape Cod, "Making Art and Making A Living"
Cape Cod Antique Dealers Association, Maritime Art of New England 1840-1880
Guest
Curator, Cape Museum of Fine Art, Marine Exhibit: "Cape Cod: It’s
Maritime
Influences Past & Present"
PUBLICATIONS:
(incomplete list)
Cape
cod life collector's edition Top 400 influential, famous, and
intriguing people October2003
Bound
for Blue Water-Contemporary American Marine Art a new book by J.
Russell
Jinishian.
Cape
Cod Life, Full Article June 2002
Art of the West September 2001 "Capturing the Grandeur of Yosemite"
Southwest Art November 2001 "Yosemite Artists" American Artist Magazine
April 2001
Issue.
Cape
Cod Life Magazine "The Solitudes of Nature" August 2000 issue –
page
76-81.
Tide-Mark Publishing –Art of the
Sea Calendar 2000,
American
Artist Magazine, "Organizing Reference Material" – March issue,
The
Barnstable Patriot, 9- 24-1998,
LeChasse-Maree, French
Maritime
Publication, Rockport Publishers, Marine Art –
A Collection
of
Fine Art by Jerry McClish,
Cape Cod Guide,
A-Plus,
The
Register,
Shipwrecks Around Boston
Hard Cover Book by William P.
Quinn.
Yachts
on Canvas Hard cover book by James Taylor,
Victoria Magazine,
Mystic
Maritime
Gallery, The Art of the Sea Calendar (1993 Cover)
Cape Cod
Times
– Arts & Antiques,
Cape Cod Life,
Soundings,
Currier’s
Price Guide to American Artists1990,
Dictionary of Sea Painters,
Antique Collector’s Club Ltd.
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